Tuesday, September 30, 2014
Jameson Parker is a warlock, a government sanctioned and controlled wizard with his magic being limited to whatever he can have signed off by Whitehall's bureaucrats. Jameson is however okay with that seeing as how the power of his magic once consumed him and made him into the 'dark lord of Hampshire'. Oh and if he used his magic without permission his bosses may explode his heart. When fires begin sprouting up all over Humberside City it is obvious an arsonist is involved and when a magical connection is inferred Jameson is sent to investigate. However with his government bosses having major trust issues with him and the other local warlocks looking to start their own revolution, things may get complicated.
As with most urban-fantasy novels, this one is written from a first person perspective and like other novels in this genre the key to a great read is having an engaging lead character. Jameson Parker certainly ticks all the right boxes. There are similarities to Harry Dresden and Bobby Dollar but these are largely superficial and I did enjoy his 'Britishness' and his surprisingly playful nature.
The world-building is pretty interesting without being overbearing and I felt that Peacock used the setting of Humberside well enough.
Pacing is well-controlled with never a lull throughout proceedings. I did enjoy the theme of the lead character having to rely on other non-magical solutions and thought this was worked rather cleverly into the conclusion.
My only minor gripe was with the random paragraph breaks mid-sentence which were distracting and broke the flow. It was also something that could have been easily remedied.
Overall Peacock delivers a a strong lead-character driven novel and I can't wait to see where the next novel takes us. 8.5/10.
Friday, September 12, 2014
A Fire in the Heavens by Mary Robinette Kowal: A priestess of a religious minority group sails across the ocean hoping to help her people escape discrimination by finding the land where the mythical founders of her religion hailed from. However she finds more than she bargained for and there may be a good reason her ancestors fled. A very believable and well-developed protagonist steals the show and is well supported by some well conceived support characters. World-building is solid and the plot is well paced. 8.5/10.
I.E. Demon by Dan Wells:Members of the U.S. military are tasked with field testing new technology which disables explosive devices. However they run into problems when the device malfunctions and they find themselves the target of a very angry gremlin. The weakest story in the collection by a country mile. The two speaking characters are underwhelming, with no real development and the story has very real issues of 'telling' rather than 'showing'. The concept itself is interesting and the conclusion is well thought out but everything else felt rushed. From the writing group discussions it is revealed that Wells was working to a word number constraint but I don't think that is a good enough excuse. The word count should be firmly dictated by the needs of the story not the other way around. 5/10.
An Honest Death by Howard Tayler: A biotech firm has developed a way to cancel the aging process making human immortality a reality. However when when death himself takes issue with this development and confronts the cooperation CEO his security team find themselves in an unprecedented situation. Is it all an elaborate hoax and if not can they protect their boss from the grim reaper? A very strong and well developed core cast of characters were the driving force in this story. The concept was clever and well considered and the pacing was spot on. 8.5/10.
Sixth of the Dusk by Brandon Sanderson. Set in a world where birds raised on archipelago chain grant people amazing abilities. A lone trapper must face up to the end of his world as outsiders seek to learn the source of the birds' ability. When he meets up with a stranded member of the outsider crew he learns that the fate of the island and their world itself is in their hands. Everything I have come to expect from Sanderson on his best days. The world-building was outstanding, the interaction between the two protagonists was believable and wove the various plot lines and themes together. An exceptionally well considered and satisfying conclusion to top it all off. 9/10.
Overall three of the story in this collection are absolute gems and the anthology offers something unique in the way it looks at the writing process. 8/10.
Thursday, August 28, 2014
There is a lot right with Sanderson's second installment in the Storm Light archives series. This very well might be Sanderson's finest piece of world-building combining a vivid-landscape with a long history and various peoples. These are explored in greater depth than the first volume.
Dalinar, Kaladin and Shallan remain the three main protagonists and the pay off in particular from Kaladin and Shallan as they mature throughout the book is very rewarding. I also enjoyed the exploration in the complex motivations of side characters and groups.
In no uncertain terms this is a large novel. Yet at no point did I find myself experiencing any lag as the plots developed, a sign of exceptional pacing.
There is also an unexpected depth to some of the subplots, as complex issues such as racism are explored in a very mature way.
Sadly Sanderson's biggest struggle remains his attempts to improve the humor in his writing. There are number of examples where this felt forced and made some of the character's almost 'cartoony' at times. Having said that there were moments when he did get it right, some of the interactions between Pattern and Shallan being the best examples. The only other negative comment I have is the choice of using some words in dialogue which do not gel with the setting and do lead to moments where I lost my immersion in the story.
Overall the second installment of this series is combination of excellent world-building, character development and pacing. Minor issues in forced humor provides a slight distraction at times. 8.5/10.
Thursday, August 7, 2014
The centerpiece of the series remains the complex relationship between Cade and Mieka which continues to steal the show. However I found the support characters developed to a very satisfying degree in this installment as well.
The sheer complex historical and social structure of Rawn's creation is highlighted extremely well with Touchstone's role in the movement for women's rights and the hints of the Black lightening stirring up long dormant racial tensions.
This series and this novel in particular are perfect examples of putting character development and interaction at the forefront of a story providing a base for building the plot around. I definitely found the story had a tighter focus than the last installment which I am extremely pleased about.
Overall this is certainly the strongest installment in this series to date 8.75/10.
Tuesday, July 29, 2014
With The war of the known world upon them Ashe and Rhapsody, leaders of the Cymrian alliance, face danger on all sides. Rhapsody had fled to the safety Ylorc hoping that the fortress with protect her and her infant son Meridion from the mad dragon Anborn's rage. Having learned that the Merchant Emperor Talquist seeks her son for his own nefarious reasons, Rhapsody is forced to make a fatal choice. Ashe is left alone trying to organize their forces, while the dragon inside slowly drives him mad. Anborn begins to build a line of fortified defenses as Talquist's armies begin their forays.
This book serves as a bridging point between what has come before and as the opening act in the final trilogy in this series. As a result some significant side stories, particularly those involving Anborn Tristan Steward are definitively resolved. Having some periods of 'calm before the storm', allowed some reflection which lead to some real character development especially for Anborn. I also enjoyed how Haydon portrayed struggle that Rhapsody and Ashe had to face when their duties as parents and as monarchs clashed.
My one disappointment is that there were some significant chracters, namely Grunthor and Achmed, who suffered from a lack of 'screen time.' I know that is bound to happen with any series with such a large cast of characters but these two are definitely a huge part of these books heart and soul.
Overall Haydon has made an eight year wait worthwhile by delivering a solid novel that sets the stage perfectly for the remaining two books in the series. 8.5/10.
Sunday, July 20, 2014
The previous two volumes of the Temeraire series contained similar problems, an over extensive travelog and missing any real sense of tension. I am happy to say that both these areas have been addressed. Even though Lawrence, Temeraire and their crew pass through several countries, much of the description of traveling is cut away. Even better is the author is still able to include elements to explain how dragons are incorporated into the various societies. With taking a more direct approach into the war itself the missing tension is also regained.
I actually enjoyed the amnesia subplot and thought it was a great way to measure how much Laurence has grown as a character while at the same time playing on his strength of character.
Overall I found this volume a welcome return to form and eagerly look forward to the finale. 8/10.
Sunday, June 29, 2014
I didn't enjoy this as much as the first volume. The novelty of many of the main characters being villains has worn a bit thin and I struggled to get past the overplayed self-absorbed and bumbling nature of most of the characters. I also found the writing itself slightly rougher than the first volume.
On the positive side the pacing is generally well controlled through most of the subplots and I did find the Duke of Bren himself an interesting addition to the cast.
Overall I found this volume harder going than the last. 6/10.